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DANCE


Argentine Theatrical Dance History


Prog. T. Colon 1919

   
  On May, 25, 1957, the theater which was later known as "the first Colón Theater" was inaugurated. Placed in May Square, not only did the most notorious ballet figures dance in its stage but also became a meeting point for the distinguished Buenos Aires personalities of the period. That was so up to 1887, when the building was turned into the State Bank.

 
In 1867, the first choreographic performances with integral ballets were offered. In the earlier Colón Theater the Rousset Company* made its debut, staging the major romantic ballets: Giselle, La Sylphide, Catarina and others, together with pieces from the Escuela Bolera. In 1860 and 1861, the Thierry Company* with Celestina and Oscar Bernardelli became the most important group which had visited Buenos Aires until then. Almea, La Sylphide, Esmeralda and many others composed the repertoire which was performed by Italian Virginia Ferrari and Celestino De Martino. This company enjoyed a great success and a similar triumph would crown, in 1883, the Italian Choreographic Company which staged the famous Mansotti*'s Excelsior, under the choreographic direction of Raffaelle Grassi and with the much admired Emma Bessone (a dancer with a great renown in Italy and Russia). Montplaisir's Brahma and Luigi Danessi's Messalina were known by the public in the next years, confirming the extraordinary success and popularity of ballo grande and the great Italian artists. In 1903, Ludovico Saracco's Company offered the local premiere of Delibes's Coppelia with Ida Ronzio; the series of Italian choreographers and dancers kept on at the new Colón Theater (inaugurated in 1908). The choreographers Francioli, Cammerano, Coppini, Vitulli and dancers like Mazzucchelli, Fornarolli, Battaggi and Zucchi took part in the baillabili of operas and, in 1916, in the re-run of Excelsior, staged by Francioli.

(*) Subjects which can be consulted. For more information on these items, address danza@surdelsur.com
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