The origins of theatrical dance (essential form of the art known as ballet) must date back from the times of Spanish domination and, more precisely, of the settlement of the Missions by the Fathers of the Society of Jesus*. In 1607, the Jesuitical Province of Paraguay was created, comprising, among other territories, present-day Argentina. The period from that date till 1767, the year when the priests were expelled, witnessed character performances which were generally religious and evangelizing, where a harmonious combination of prose theater, music, dance and staging elements served both a didactic and an artistic purpose clearly associated with the general guidelines set by the missionaries.
On the other hand, Spanish dance became a usual practice in our land. Escuela Bolera* or Spanish Classical School was a regular and habitual presence which developed till the early 19th century. Not only dancers but also comedians themselves took part in these performances in the context of theatrical shows.
In
the first quarter of the 19th century, the first figures with a professional
and academic background appeared: the Touissant*, the Cañete*
and the Catón*. Divertissements, solos, character dances,
duets (including mime-drama, as the ones practiced by the Catón
with their Napoleonic ballets) filled our theaters.
(*) Subjects which can be consulted. For more information on these items, address
danza@surdelsur.com
Continue...
Angel
Fumagalli
Cultural
Identity
Table of contents
Surfing the South
Contact us now
Versión en Castellano
| Go back | Continue |