| |
|
|
|
|
|
|
| From 1940 to 1960 The 1940s GENERATION is centered
on poetry, where it develops descriptions, nostalgia and memory with
Vicente Barbieri, Olga Orozco, León Benarós
and Alfonso Sola González. Story tellers lined up with
idealism: María Granata, Adolfo Bioy Casares,
Julio Cortázar and Manuel Mujica Láinez
and realism: Ernesto L. Castro, Ernesto Sábato
and Abelardo Arias with an urban touch or elements dealing
with the portrayal of manners: Joaquín Gómez Bas
and Roger Plá. Essayists are not too numerous: Antonio
Pagés Larraya, Emilio Carilla and Luis Soler
Cañas. |
|
|
|
| Towards
1950, another milestone can be found: NEOHUMANISM, which is
a response to the new state of post-war thinking. On one path are
the avant-gardists: Raúl Gustavo Aguirre, Edgar Bayley
and Julio Llinás, on the other, the existentiaries:
José Isaacson, Julio Arístides and Miguel Ángel
Viola; beyond the two, there are those who reconcile both trends
with a regionalist support: Alfredo Veirabé, Jaime
Dávalos and Alejandro Nicotra. Among the story tellers
we find burning records of the period: Beatriz Guido, David
Viñas and Marco Denevi. In most of these writers,
there is a perceived influence of Anglo-Saxon and Italian poetry.
|
| Continue... |
| Luis
Ricardo Furlán |
|
|
|
|
| |
|
Surfing the South 
