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Argentina, the country, its people and culture

Argentina folk music of South or Buenos Aires Region is the milonga, huella, cifra and estilo. Tango is a special chapter. The South or Buenos Aires Folk Music comprises the whole province of Buenos Aires, La Pampa, south of Santa Fe, and south of Entre Rios.
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ARGENTINA FOLK MUSIC • FLOKLORE ARGENTINA

 
     
     
   
   
 

Argentina Folk Music from South or Buenos Aires Folk Music

 
  The South or Buenos Aires region comprises the whole province of Buenos Aires, La Pampa, south Santa Fe and south Entre Ríos. Folklore songs here are introspective and sententious. The singer, generally a soloist, only accompanies himself on a guitar. Lyrics reveal a social and rural concern, although love or picaresque themes also abound, being performed in a milonga, huella, cifra, estilo rhythm or others which are less known.  
  Izq.: Victor Velazquez. Centro: Argentino Luna. Der.: Alberto Merlo.  
  Left: Victor Velazquez. Center: Argentino Luna. Right: Alberto Merlo  
     
  In Argentina Folk Music from South or Buenos Aires Folk Music, it is possible to find improvised or on-the-spot singing, performed by the so called payadores, who, alone or with an accompanist who sings the counterpoint, render their improvisations under the chords of a milonga, cifra, triunfo or even waltz. Another typical character of the South or Buenos Aires Folk Music region is the criollo reciter, who displays social subjects through criollo poetry mainly concerned with the depiction of manners. All this belongs to the so called Plata River folklore, since it has a similar dissemination in Uruguay. On the other hand, the region is rich in dances, and over a hundred (traditional and original) dances can be identified, all of which are danced by a non- embracing couple.

Finally, tango: a rhythm danced by an embracing couple which represents Argentina worldwide. Buenos Aires has generally been credited for tango, but this rhythm has also been largely enriched by musicians and poets coming from inland. Singers, who are always soloists, perform evocative, familiar and also testimonial subjects and for musical accompaniment, they resort to sets of guitars or even orchestras with a variable number of instruments, mainly made up by bandonions, violins, piano and contrabass.

In this last period, the new exponents of folklore added unconventional musical instruments like transverse flute, saxophone, organs, keyboards, and drums, for percussion. This novelty has been gradually accepted, except for traditionalist groups, who resist change.
 
 
     
     
  Print material was kindly granted by the Record Companies.  
  Author: Horacio Alberto Agnese  
     
 
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