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Argentina, the country, its people and culture

Argentina folk music of Center North West: It presents traditional rhythms like chacarera, gato, escondido, zamba, jota y bailecito cordobés, chaya y vidalita riojana, baguala. The Center North West of Argentina comprises the provinces of Santiago del Estero, sur de Córdoba, La Rioja, Tucumán, Salta y Jujuy.
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ARGENTINA FOLK MUSIC • FLOKLORE ARGENTINA

 
     
     
   
     

Argentina folk music of Center North West

 
  The center-north-west area begins in the landlocked province of Santiago del Estero. It presents traditional rhythms like chacarera, gato and escondido, which are indistinctly performed by soloists, duets or bands using guitars or bombo legüero, a percussion instrument from Santiago del Estero. There are also occasional variants like remedio and arunguita, all of them danceable. In the area of Salavina, due to the fact that Quechua language is deeply rooted, the expression is bilingual; there, music also includes violin and vidala, which is sung preferably by a duet and without any choreography.  
  Sixto Palavecino, Santiago del Estero.  
  Sixto Palavecino, Santiago del Estero..  
     
  The south of the province of Córdoba is highly influenced by Cuyo music; in the area of Tulumba it is chacarera that is characteristic; in the rest of the province, zamba, jota cordobesa, bailecito cordobés and gato.

In La Rioja chaya and vidalita riojana prevail whereas in Tucumán it is zamba that stands out, with a great dissemination all over the country. Zamba as a dance is regarded as the national dance.

In Salta there is the epicenter of zamba, although baguala, sung by a duet and in counterpoint is also important. Finally, in the province of Jujuy, the Puna is followed by the Bolivian altiplane, establishing a current of undoubted musical sympathy.
 
  Bailarines con caja de Matilde Grant, Jujuy. Charango, Jaime Torres, Purmamarca, Jujuy.  
  Dancers with the caja by Matilde Grant, Jujuy. Charango, Jaime Torres, Purmamarca, Jujuy.  
     
  Concerning this last region, we must mention huayno, cueca, yaraví, triste, bailecito and carnavalito; all these compositions are performed indistinctly by soloists, duets or bands. Guitars, bass drums and eminently traditional instruments like caja, and woodwinds like quena, pincullo, anata and erke. The danceable version of these rhythms are all dances with a non-embracing couple.  
  Izq.: Erkencho y Caja. Der.: Erke.  
  Left: Erkencho and Caja. Right: Erke.  
     
  Print material of Sixto Palavecinowas kindly granted by the Record Company. The other print material was kindly granted by Ricardo Acebal.
 
  Author: Horacio Alberto Agnese  
     
   
     
 
 
 
 
     
     
     
 
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