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Argentina, the country, its people and culture

Folk Music of Littoral: The most traditional Littoral folk music is chamamé and chamarrita, also tanguito Montielero, chacarera estirada and milonga. Argentine north-west area is known as littoral (fluvial) and comprises the provinces of Misiones, Chaco, Formosa, Corrientes and Entre Ríos, presenting strong influences from Santa Fe.
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ARGENTINA FOLK MUSIC • FLOKLORE ARGENTINA

 
     
     
   
     

Argentina folk music of Littoral

 
  The Argentine north-west area is known as littoral (fluvial) and comprises the provinces of Misiones, Chaco, Formosa, Corrientes and Entre Ríos, presenting strong influences from Santa Fe.
In Misiones, which limits with three countries, Guarani features are blended with Brazilian ones (coming from Río Grande, to the Brazilian south and showing surprising similarities with Argentine littoral and Buenos Aires areas in Argentina). Several influences are mixed up here: European immigration, which brought schotis (which later included the almost inevitable local distortion, turning into the most popular rhythm), was supplemented with elements coming from a neighboring country like Paraguay, which contributed the galopa, a dance which held the second position in popular preferences.
 
  Chamame: O. Soto Corrientes - Charata Chaco  
  Izq.: Chamamé: de O. Soto, Corrientes. Der.: Chamameceros de Charata, Chaco.  
  Guarani influence is remarkable in Formosa and Chaco, even more in Corrientes, mainly in language. There it is chamamé that reigns, with a great reach in the whole area, as well as rasguido doble and valseado. In Entre Ríos chamarrita can be commonly heard: a replication of sobre-paso from neighboring Uruguay. In this last province (Entre Ríos), researchers like Linares Cardozo could rescue some traditions from oblivion, as with tanguito Montielero, chacarera estirada and milonga, also in Entre Ríos version.  
  Linares Cardozo, compositor, guitarrista, cantor y pintor enterriano.  
  Linares Cardozo, composer, guitar player, singer and painter from Entre Ríos  
  All these variants spread through Santa Fe, especially chamamé, which even gets to Santiago del Estero, where it has great practitioners. The music is melodious, sometimes rhythmic and stressed; the lyrics are generally centered on love, landscape and testimonial subjects.
Traditionally, they are sung by a soloist or a duet, although recently there have been bands with four or five members, who have created modern harmonies. Accordion, in its different versions (even piano accordion), bandonion, guitar and, in some cases, Indian harp are the preferred musical instruments. In all its ways, these rhythms are danced by an embracing couple.
 
     
     
   
     
 
 
 
 
     
     
     
 
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